

Nakku Varmam Vital Points triggered by licking at sensitive organ such as eyes.Not deadly, but will affect the victim (usually used for disabling / recovery / healing from varmam attacks). Uuthu Varmam Vital Points triggered by a blow of air from mouth.įor example, by chewing Garlic and blow the air into ears to trigger the varmam point for recovery from heat.In human body there are 108 Varmam's (Vital points) they are: Vital Points Part of Human body 25 From head to neck 45 From neck to navel 9 From navel to arm 14 Arms 15 Legs Other types of techniques also used in varma kalai such as:

It takes several years of practice for one to become an expert in Nooku Varmam.

It is being said that causes such led to the loss of many great techniques. It was taught only to selected individuals who qualified but again all who learned does not qualify to become an Aasan.Īlso the Aasans and Periyaasans did not pass on many techniques as they never met qualified disciples. The Varma Kalai martial artist is not allowed to teach the art to others until he receives from his Aasan or Periyaasan as in recognition of him as an Aasan. Requirements for training Varma Kalai teachers are highly selective in their choice of students. Currently Varma Kalai is practised in and, usually as part of and training. The film's popularity generated a resurgence of interest in the art. Due to its secretive nature, Varma Kalai remained largely unknown even in India until the release of the movie, in which played the role of a Varma Kalai expert. The art was taught only to selected individuals, but due to the strict requirements for new students it never gained large numbers of adherents. The teachers were called as Aasan (Tamil: ஆசான்) and the grand masters were called as Periyaasan (Tamil: பெரியாசன்) or Iyan (Tamil: ஐயன்). Knowledge of Varma Kalai was considered vital in all these arts to become a Grand Master. Salavarisai is also known as salam-varisai, means 'way of greetings or respects'. Varma Kalai is incorporated into the advanced forms and Adi Murai (Southern Kalari) and also in forms like guru salavarisai, salavarisai (various form) and tani-salavarisai (advance). The presence of shrines to Tamil sage Agathiar in suggests that he researched the art there. He transferred the knowledge of this art to other and he also wrote treatises on this art in.
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